Written by Vardis Fisher, Raymond W. Thorp, and Robert Bunker
Directed by Sydney Pollack
This is a film in the true classic style if only for the fact that it has an overture! Gearing up to watch it for the first time in years, it set the tone quite nicely for a film that is quite simply a visual masterpiece. The story is told primarily through the visual medium as there is little dialogue throughout yet I can almost guarantee it will keep you riveted.
Robert Redford is Jeremiah Johnson. When first introduced to him, he is still wearing the colors of the Army he is seeking to escape. Johnson has no wish to fight in the Mexican War and seeks the isolation life as a mountain man will give him. The film gives the impression that whatever he saw during his time in the Army affected him to the degree that he wants to be away from all people.
This was not to be an easy life, as he learns early on. In addition to the problems gathering any type of food and battling the elements, he encounters those native to the area as well as a man who broke both his legs and froze to death. It is from that man, though, that he gets the 50 caliber bear rifle he wanted before he set out on this life.
It is when he meets Bear Claw (portrayed by Will Geer) that his fortune changes a bit. Bear Claw teaches Johnson much of what he needs to know to survive, and he begins to carve out a life for himself. Eventually, he takes a Native Squaw, Swan (portrayed by Delle Bolton) as his wife, and an orphaned mute boy Caleb (portrayed by Josh Albee) blends into the unconventional family. Happiness is short-lived when Johnson encounters a detachment from the Army that asks for his help and leads him straight to disaster.
Redford convinced Director Sydney Pollack to film the movie in Utah, which accounts for the incredible scenery throughout the film. Redford carries the film quite well with his nearly silent performance and it’s roles like this show the true talent an actor of his caliber has. In the hands of a lesser actor, it would fail miserably and I’m thinking of Darryl Hannah in Clan of the Cave Bear which had a similar angle of being a visual film but failed largely due to her being cast for the fact that she looked right for the role more than the fact that she could actually carry a film like this. In the hands of an actor like Redford, I felt like I knew Jeremiah Johnson without him having to give me pages of dialogue detailing his background or talking about his feelings.
The supporting cast also does quite well, in particular, Josh Albee as the young mute boy. There is a good variation in the characters in that they have distinct personalities and don’t blend together. Geer does a great job providing some needed comic relief in a film that is quite dramatic and tragic.
Most of the special features are just a slideshow-type with information about various subjects with the exception of the featurette. This hasn’t been remastered and the quality isn’t all that good. Overall, the print looks pretty good, although there are sections where I notice that it’s dirty. If this wasn’t completely restored, it definitely deserves the treatment. On Blu-ray, it should be gorgeous when they finally get around to putting this together.
Even if you aren’t a fan of the western genre in general, I think Jeremiah Johnson is worth checking out. It’s not the usual cowboys and Indians narrative and is actually based on the real story of a mountain man in the 1850s, something that took me by surprise when I researched it. Â Between Redford’s performance, the beautiful scenery, and an emotional soundtrack, the film is dazzling. I just hope they remaster it and give it the attention it deserves for a Blu-ray release.
SPECIAL FEATURES
• Cast & Crew Biographies
• For Real Mountain Men
• The Perfect Swan
• Destination Utah
• Redford in Action
• The Makings of a Mountain Man
• Theatrical Trailer
• Featurette “The Saga of Jeremiah Johnson”
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Categories: Movie Reviews
I haven’t seen this movie. I do remember seeing the TV trailer for it when I was in third grade; “Jeremiah Johnson” was released in ’72, the same year in which Mom and I (later joined by my half-sister Vicky) returned to Miami after almost six years living in Bogota, Colombia. I have vague memories of being intrigued by the trailer, even though I didn’t quite understand what the movie was about (I was still not fluent in English, you see…). Later, when I was up to speed with the lingo, I learned that the girls in grades five and six swooned over Robert Redford…..
Redford was a hottie back in the day.
The girls in the higher grades (5 and 6, especially in regular classes), certainly thought so. I still remember overhearing snippets of conversations where girls (especially the cute ones) talked about actors and other guys they liked.
Of course, I had celebrity crushes as a kid, too. I liked Karen Valentine from “Room 227,” Susan Dey from “The Partridge Family,” although I also liked Suzanne Crough (Tracy Partridge) because she was my age (she was one day younger than I, as it turns out) and looked a lot like my first lost love. Later, when I knew a bit more about “the birds and the bees” and understood why women had such an effect on me, I liked “the usual suspects” of Farrah Fawcett (no poster, though) and Cheryl Ladd (did have poster!), plus the occasional sub rosa peek at Playmates of the Month.
For a while, envy made me “dislike” Robert Redford. I got over it in time to see him in “A Bridge Too Far” in theaters (the only movie he’s in that I didn’t just watch on TV). I can see why girls (and women) liked him so much.
Oops. That’s “Room 222.” Sorry, Patti. My mind is awhirl with lots of things (including today’s novel-writing ideas). I’m usually good at remembering titles of TV shows…I seem to have a mashup of “Room 222” and “227.”